Nothing made me happier than to see pen shows return for 2021, and so far I’ve had the opportunity to visit the Washington, D.C. Supershow in August, the San Francisco Pen Show for the first time later that month, and just this past weekend, the Chicago Pen Show. Despite some initial apprehensions, I was pleasantly surprised at both the level of attendance, the efforts by show promoters to keep the shows safe, and the graciousness with which attendees dealt with difficult travel conditions and the necessary masking and other safety precautions in hotel ballrooms that could, at times, be a bit “stuffy.” (Fortunately, in most instances the shows were able to convince the hotels to crank up the A/C, eventually.)
The D.C. and San Francisco shows saw attendance that approached pre-pandemic levels, even though there were fewer out-of-town attendees, resulting in slower-than-usual Fridays. Chicago, on the other hand, was hit with the double whammy of being rescheduled from May to the weekend after the Dallas Pen Show, in addition to rising COVID levels and increased travel hesitancy. As a result, it was somewhat distressing to see fewer vendors and attendees at what I understand is typically a fairly large show. Saturday got decently busy by the middle of the day, but Friday and Sunday remained slow. It’s therefore difficult to write an accurate show report, since I’ve never attended the Chicago Show in an “up year” and can only rely on discussions with others at the show about how this year compared with years past.
Because Chicago will return to its normal early May timeslot next year, most of these issues should resolve themselves. Many vendors simply couldn’t turn around inventory/travel arrangements/life in time to do the Dallas show one weekend and Chicago the next. (I know I couldn’t.) If more vendors return - especially large draws such as Vanness Pens and Franklin-Christoph - attendance will also increase. I currently plan to attend Chicago again in May 2022, and it will be interesting to compare the “real” show to other large shows such as D.C. and San Francisco.
So with that out of the way, what did I think of Chicago 2021? For what turned out to me a smaller show, vendor-wise, it ended up as a great weekend. I attended in my personal capacity, just for fun, and enjoyed hanging out at a pen show for the first time in a while. Going forward, I’ll need to pick one or two shows a year just to visit as an attendee, because it offers a perspective on the pen community and makers that you don’t get sitting behind a vendor table for three days.
Vendors and Makers at the Chicago Pen Show
Vendor-wise, the main retailers were Atlas Stationers, Papier Plume, Lemur Ink, Federalist Pens, The Pen Show (Jimmy Dolive), Toys from the Attic, and Crazy Alan’s Emporium. Independent and smaller makers included Ryan Krusac, Desiderata Pens, Ironfeather Creative, Hardy Penwrights, The Chicago Pen Company, and Hinze Pens. The show also featured a fairly large array of vintage traders. Kirk Speer (Penrealm) was the only nib grinder present. Finally, there was a massive ink testing station, with two separate blocks of tester pens filled with some rare and unusual Montblanc and Parker Penman inks.
My Show Pickups: Classic Additions to the Collection
This year I’ve made a concerted effort to purchase fewer mass-produced fountain pens for my personal collection (especially high price-point limited and special editions) and invest instead in handmade and smaller-run pieces from independent and smaller makers. In D.C. and San Francisco, I picked up several pens from Schon DSGN, as well as some hand-turned pens with vintage nibs from Peyton Street Pens. In Chicago, I continued that trend and acquired a Ryan Krusac Scrimshaw “Navigator” (Check out the inlaid abalone and mother of pearl constellations in the cap!) and a Chicago Pen Company “Sheba” in a flecked Erinoid acrylic. I’m looking forward to getting both of these pens into rotation soon. I also picked up two bottles of Anderillium Ink (“Cuttlefish Brown” and “Shoebill Stork Grey”, and a bottle of the Sailor x Tinterías Podcast “Homemade Tortillas” collaboration ink.
A Friendly Reminder: Support Your Small and Local Independent Retailers and Makers
Somewhat sparse crowds at Chicago did remind me of one thing: How important it is to support smaller retailers and makers as we head into the holiday season. We’ve already lost C.W. Pencil Enterprise, and I sadly suspect it won’t be the last closure. While pen shows have returned, things are far from “normal,” and most of your favorite small businesses have been deprived of a big chunk of income for the past two years. It’s more important than ever for them to have a strong year-end close, and I can personally vouch for the stressful nature of having to make huge inventory purchases during the slower summer months just to have enough stock to meet the (hopefully) increased demand of November and December. Whether its shopping at the T.G.S. Curated Shop, one of my friends on the sidebar, or somewhere else entirely, please make conscious choices about who you support, especially if you value having independent retailers and makers available to you for the long term. To the extent you can attend a pen show (and feel safe doing so health-wise), both the Detroit Pen Show (Oct. 29-31) and the Ohio Pen Show (November 11-14) remain on the calendar, and the organizers and vendors would greatly appreciate your support!
The Gentleman Stationer is supported by purchases from the T.G.S. Curated Shop and pledges from the T.G.S. Patreon Program, which offers access to online meetups, exclusive discounts and pre-orders, and more! Ana over at the Well-Appointed Desk recently featured a timely post on the importance of supporting your favorite creators, which I would highly encourage you to read, not only for support but to discovery new faces in the stationery community.